Response to Errol Morris & Jon Savage
Jun. 5th, 2009 10:31 amWhen I was about thirteen I became obsessed with the Holocaust. I have no idea what kicked off this obsession, but it burnt in me with a passion for about two years before my present (& boys) caught up with me. I read everything I could get a hold of, quickly realizing that the memoirs of survivors were worth more than the novels about the same events: but I could not get this out of my head, in part because I did not understand it.
I have a dim memory of my father at that time, telling me that these things were not all past. Ever the eschatologist he told me that evil is still present in the world today, and surprisingly (for someone who also told me that all the Jews who died went to hell) he encouraged me to get involved with some contemporary human-rights group, like Amnesty International. No doubt he would be very suspicious of such a group today, but it is one of the few memories of my father taking me seriously and offering me guidance in terms of my own engagement, rather than his own.
Several days ago I provided a link to Errol Morris’ ongoing documentary-evidence series about the Dutch forger Han van Meegeren who sold fake Vermeer’s to the Nazis. Morris quickly glides over the question of how anyone would think these stiff and gaunt figures were actual Vermeers to a second question: was van Meegeren a Nazi collaborator?
( Response Morris: 'Who wants to revisit the horrors of WWII? )
( Some personal history )
( Response to Savage )
( The question of legacy )
I have a dim memory of my father at that time, telling me that these things were not all past. Ever the eschatologist he told me that evil is still present in the world today, and surprisingly (for someone who also told me that all the Jews who died went to hell) he encouraged me to get involved with some contemporary human-rights group, like Amnesty International. No doubt he would be very suspicious of such a group today, but it is one of the few memories of my father taking me seriously and offering me guidance in terms of my own engagement, rather than his own.
Several days ago I provided a link to Errol Morris’ ongoing documentary-evidence series about the Dutch forger Han van Meegeren who sold fake Vermeer’s to the Nazis. Morris quickly glides over the question of how anyone would think these stiff and gaunt figures were actual Vermeers to a second question: was van Meegeren a Nazi collaborator?
( Response Morris: 'Who wants to revisit the horrors of WWII? )
( Some personal history )
( Response to Savage )
( The question of legacy )